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The Artful Readers Club for March
The Walking Dead Compendium One by Robert Kirkman and Charlie Adlard { and some other folks} Charlie Adlard recently admitted in an interview that he often makes up his characters on the page. A fact which can cause any serious character designer to bow in admiration. As you can see the likeness of the graphic novel with the AMC show is very close. Tweet Review: A long, arduous display of how a few people can entertain the masses. Since I am reading and watching The Walking Dead simultaneously, I am constantly comparing the two. Fans of the television series will be pleased to know that the graphic novel is just as interesting, if not more so. The details are very different in the first 48 issues of the graphic novel, for example, Carl is a lot younger and has a playmate Sophie..whose fate in the television series is quite astonishing. There are endless differences, but the overall storyline remains consistent in both versions which is; what happens to people during a...
Initial thought is that it reminds me of a Rorschach test. I think the consciousness keeps on changing around these images.
ReplyDeleteI started off thinking they were fish. Then I started seeing a face inside the blue body, and the whole thing took on a suggestion of a figure looking downwards (with a devil figure behind, conjuring a magical spell). Then I started seeing floating planets... (plus, inside the two bodies - there's more and more figures cut out, as it were, like one of those paper chain patterns...)
(and all the time, I'm wondering why 'Mary's' - are they two icons that belong to the Virgin Mother? Is this a place - we're at Mary's?)
I think there is a theme of reproduction going on here, since the two figures/objects are both identical. But which one is the original?
I think the colour scheme is ash and blue flame.
The diagonal is perhaps significant. It means 'from angle to angle' in the ancient greek. It's probably a sort of meta-comment on the way we perceive and saying that there's nothing outside of sight (or we can't get out of looking, no matter how much we try).
Interestingly, the shadow figure decapitates and makes the head introspective - is this a comment on over-intellectualisation of looking?
Suneel, you are such a writer! And a writer of fiction :). It is a sketch of Mary Mangalane from Leonardo Da Vinci. I ran it through Illustrator and the nifty tools that provide "gradiance". It's really a select and click device, really simple and strange in the end. Over-intellectualizing always welcome!
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