The Artful Readers Club for March
The Walking Dead Compendium One by Robert Kirkman and Charlie Adlard { and some other folks} Charlie Adlard recently admitted in an interview that he often makes up his characters on the page. A fact which can cause any serious character designer to bow in admiration. As you can see the likeness of the graphic novel with the AMC show is very close. Tweet Review: A long, arduous display of how a few people can entertain the masses. Since I am reading and watching The Walking Dead simultaneously, I am constantly comparing the two. Fans of the television series will be pleased to know that the graphic novel is just as interesting, if not more so. The details are very different in the first 48 issues of the graphic novel, for example, Carl is a lot younger and has a playmate Sophie..whose fate in the television series is quite astonishing. There are endless differences, but the overall storyline remains consistent in both versions which is; what happens to people during a...
Very absorbing paint effects in this one, with the blurring and the stripes and so on. I particularly liked the horizontally placed chair with the rooted hand coming out of it.
ReplyDeleteI think there is a lot of playing around with the X and Y axes here, evidenced by that same chair. The stripes go vertically and horizontally, the finger of the lady is a horizontal, her face is divided in two (this line of symmetry is accentuated by the corresponding line underneath...)
What is the butterfly tale here? The finger directed at the temple of the woman looks somewhat suicidal. Or is she threatening someone with death? A butterfly comes from a caterpillar. Is the adorning of the woman a statement about the evolution of beauty? A reference to a cocoon somewhere in the past?
I feel like there is a deliberate contrast between the butterfly and the woman. The butterfly is very ostentatious - the woman seems as though she is camouflaged. The shadow emphasises this...
Very violent again for some reason - what with the finger-gun... (a reference to painting - the violence of putting the mark on the paper?)