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The Artful Readers Club for March
The Walking Dead Compendium One by Robert Kirkman and Charlie Adlard { and some other folks} Charlie Adlard recently admitted in an interview that he often makes up his characters on the page. A fact which can cause any serious character designer to bow in admiration. As you can see the likeness of the graphic novel with the AMC show is very close. Tweet Review: A long, arduous display of how a few people can entertain the masses. Since I am reading and watching The Walking Dead simultaneously, I am constantly comparing the two. Fans of the television series will be pleased to know that the graphic novel is just as interesting, if not more so. The details are very different in the first 48 issues of the graphic novel, for example, Carl is a lot younger and has a playmate Sophie..whose fate in the television series is quite astonishing. There are endless differences, but the overall storyline remains consistent in both versions which is; what happens to people during a...
This is classical Kelly.
ReplyDeleteThe beautiful triangle in the middle formed by the birds (‘the triangulation point’).
The telephone wires and the tree branches.
The blue sky and the diagonals.
At the base of the image, with the tree in the middle, there is a floating cloud to the left and to the right, a roof. Why the cloud? Why the roof?
The gaze is upon a height in which reality melts into the abstract, in which the domestic order of the house is fading away? I think the answer lies in the way the composition builds the trees. Let us read from left to right.
The cloud. Invisibility. The insubstantial. The trees begin to grow ever larger from this point. Towards the end of the beautiful triangulation point of the birds, one grows tallest. All the wires and networks manage to become grafted within it. An organic and cybernetic synthesis. New growth – Spring. And thus, above the roof, above the private, a new public order – the internet world.