Enough Already
- Get link
- X
- Other Apps
- Get link
- X
- Other Apps
The Artful Readers Club for March
The Walking Dead Compendium One by Robert Kirkman and Charlie Adlard { and some other folks} Charlie Adlard recently admitted in an interview that he often makes up his characters on the page. A fact which can cause any serious character designer to bow in admiration. As you can see the likeness of the graphic novel with the AMC show is very close. Tweet Review: A long, arduous display of how a few people can entertain the masses. Since I am reading and watching The Walking Dead simultaneously, I am constantly comparing the two. Fans of the television series will be pleased to know that the graphic novel is just as interesting, if not more so. The details are very different in the first 48 issues of the graphic novel, for example, Carl is a lot younger and has a playmate Sophie..whose fate in the television series is quite astonishing. There are endless differences, but the overall storyline remains consistent in both versions which is; what happens to people during a...
Enough Already. Although I have given it my own title: Conspicuous consumption. From Wikipedia:
ReplyDeleteConspicuous consumption is a term used to describe the lavish spending on goods and services acquired mainly for the purpose of displaying income or wealth. In the mind of a conspicuous consumer, such display serves as a means of attaining or maintaining social status. A very similar but more colloquial term is "keeping up with the Joneses".
The bin groans with trash. It could all be recycled, it seems. But it isn’t. One carrier bag says ‘Bargains’ and what reads like ‘go on’. The irony is that this enthusiasm is completely throw-away and knee-jerk. Underneath the bag is what looks like something that shouldn’t be disposable but is – some kind of electronic device.
Stylistically, it has the beautiful black diagonal which is often a feature of your work – the bin lid. It is interesting that you position the foreground before the architectural part of the house ‘on stilts’. It shows that the kind of ephemeral nature of trash collecting goes further into our familiar domains (the bin is on wheels as well – it’s sort of a shared imagery). The cardboard at the forefront of the image leads the viewer into the garbage, into the heart of emptiness… A sort of perspective-based directing of the gaze…